Where we start
Everything so far has been about getting a note back when you go looking for it. Titles that carry their own search words, one home per note, links so that finding one thing puts you next to the others. A review is the opposite motion. You are not looking for anything; the collection comes to you, on a schedule, and asks to be dealt with. Daybreak's forty-eight notes are now titled, filed and linked, and the only thing left is the pass that keeps them that way: a real fifteen minutes on a Friday, the same fifteen minutes every week.
★ What you walk out with tonight. A weekly pass that takes about fifteen minutes, written down in four moves with a time budget on each, sitting in your calendar before you leave. Plus one rule for anything in a project folder you have not touched in a quarter, which is the part that stops the collection growing in one direction forever.
One neighbour, so you land in the right place. Spaced-repetition flashcard software is a different practice with a different purpose: it exists to get facts into your head and keep them there, and it schedules individual cards against your own forgetting. Tonight the subject is a working review of your own notes. The output is not memorised facts, it is decisions - what still points at the right thing, what leaves, what you could not recall and therefore need to fix.
Say what is in it before you open it
6 min liveMost reviews are a reading session. You open a note, your eyes go over it, you recognise every line, and you close it feeling caught up. Nothing was retrieved in that entire sequence, and recognising something is not the same as being able to produce it eight months later. One small change turns the same fifteen minutes into a different activity.
LiveWhy the harder version is the one that works3 min▶
Recalling a note before you look at it is retrieval practice, and that is the mechanism session 1 put the numbers on. In Roediger and Karpicke's prose study the tested group beat the restudy group 56% against 42% at one week, having lost to them at five minutes. A meta-analysis across 159 effect sizes puts the average benefit at g = 0.50, medium and reliable. So the move is not a stylistic preference. Asking yourself what is in a note before opening it is the same operation, applied to your own material.
The practical catch is the part that decides whether your review survives. Rereading feels better while you are doing it. In that same study the students who restudied most were the most confident they would remember it a week later, and they recalled the least. A review you build around what feels productive is optimising for a signal that points the wrong way.
Which means the good version of this will feel worse than the bad one, every single Friday, permanently. That is worth saying out loud before you design your own, because the pull back toward a comfortable reading session is constant and it never announces itself as a downgrade.
Self-studyWhat the gap tells you, note by note4 min▶
When you open the note and compare it against what you just said, there are only three outcomes, and each one points somewhere different.
- You recalled it accurately. The note is doing its job. Leave it completely alone, do not tidy it, do not improve the wording. This is the most common outcome and it should cost you no time at all.
- You got the gist but not the specifics. The note itself is fine. What is usually wrong is the title: it is carrying more meaning than it can hold, so you remember the shape of the thing and none of its contents. This is the session 2 problem showing up two months later, and the fix is a narrower title or a split into two notes.
- You had no idea what was in it. Two possibilities, and you have to pick. Either the title is wrong, which is again session 2 and takes thirty seconds to fix. Or the note should not have been kept at all, which is a discard decision - and the capture rule in session 2 was deliberately fast and deferred exactly this decision to here, on purpose, because deciding at capture time costs you the capture.
Notice that only the third outcome can send a note out of the collection, and it is the only place in the whole loop where that can happen. A system with no third outcome grows forever.
The gap that grows
5 min liveThe second question is timing. Weekly for everything is the answer most people reach for, and it is why most reviews are abandoned by week five: a weekly pass over a whole collection is an hour, and an hour does not happen. The research on spacing says something more useful than "space it out", and the useful part is about which gap, not whether.
LiveComing back later beats coming back at once4 min▶
Cepeda and colleagues pulled together 839 assessments of distributed practice across 317 experiments. Of the 271 comparisons where massed and spaced study could be set against each other, only 12 showed no benefit or a negative one. The authors' own description of the spacing effect is that it is "quite robust". As findings in this area go, that is about as settled as they get.
The part with the most practical bite is not the headline. It is that the interval that maximises retention grows as the delay before you need the material grows. There is an optimal gap, and it moves. More spacing is not automatically better, and neither is more frequency.
Which reframes the whole scheduling question. A quarterly review is not a weekly review done badly. It is the right instrument for a different horizon: things you will need in a year want a wide gap, and the project you ship next Thursday wants a narrow one. Trying to run one interval over an entire collection is what makes the pass too long, and a pass that is too long is a pass that stops.
So the weekly pass in part 3 covers a small, changing set - this week's captures and your two live projects. The rest of the collection is on a much longer clock, and most of it is on no clock at all until you need it.
Self-studyTwo numbers that are not in that paper4 min▶
You will see spacing quoted with a number attached. The two most common are that it "doubles recall" and that it gives "2-3x better retention". Both were searched for directly in that paper's own raw text, and neither is there. Not phrased differently, not in a table, not in the abstract. They are confections that grew in the retelling, and they get repeated confidently because nobody who repeats them has opened the paper.
There is a second, quieter version of the same error: quoting one pooled effect size for the whole meta-analysis, usually as a single d value. That paper does not report one. Most of the studies it covers did not report enough to compute an effect size at all, so what it reports instead is raw accuracy differences and the 271-comparison split you saw above, with effect sizes available for only 23. Anybody handing you a single pooled number for it is quoting something else, or quoting nobody.
This matters more than it looks. The honest version of the claim is stronger, not weaker: 12 nulls in 271 comparisons is a more persuasive sentence than a round multiplier anyone can wave away, and it survives being checked. The dishonest version has the property that the first person who looks it up stops believing the rest of what you said.
| Horizon | What a pass at this interval is for | What it costs |
|---|---|---|
| Weekly | This week's captures and the two live projects. File the inbox, check three notes by recall, make sure the project notes still point at what they depend on now | Fifteen minutes, and it has to be the same fifteen minutes every week or it becomes a decision |
| Monthly | Areas rather than projects. The ongoing responsibilities that have no finish line and therefore never force their own review | About half an hour, and it will be skipped roughly one month in three, which is survivable |
| Quarterly | The untouched. Anything in a project folder you have not opened in three months, run against the rule below | An hour, four times a year, and it is the only pass that meaningfully shrinks the collection |
| Yearly | The shape of the thing. Whether the categories still match your actual life, and whether the archive has anything in it you want back | An afternoon. Most people never do this one, and the cost of skipping it is slow drift, not failure |
Fifteen minutes, four moves
4 min liveHere is the whole thing. Four moves, a time budget on each, adding to fifteen minutes. The budgets are not decoration - they are what stops the pass growing into an hour, because every one of these moves will happily expand to fill whatever you give it.
LiveThe four moves, and why discard is one of them4 min▶
- Empty the inbox, five minutes. Everything you captured this week gets a home in one of the four categories. Five minutes is enough for a normal week's capture, and if it is not, that is information about your capture rule rather than about your review.
- Recall-check three notes, four minutes. Three, not ten. Titles only, say what is in each, then open and mark the gap. Rotating three a week gets you through a hundred and fifty notes a year without ever feeling like a study session.
- Repoint the project notes, four minutes. Your two live projects change faster than anything else in the collection, so the links out of them go stale fastest. This is the move that keeps the thing session 4 measured - links moving retrieval far more than filing does - actually true a month from now.
- Mark one thing for discard, two minutes. One. Archive it or delete it, and do it during the pass rather than making a list of things to consider later.
That last move needs its reason said plainly. The capture rule in session 2 is deliberately fast and errs toward keeping, because a capture rule that makes you deliberate is a capture rule you stop using. That choice is only defensible if the deferred decision gets made somewhere, and this is the somewhere. Without it the collection has an entrance and no exit, which is the shape session 1 measured on everybody's real notes.
One item a week is deliberately small. It is not a cleanup and it will never feel like one. But fifty-two decisions a year, each one made while you are actually looking at the note, is enough to change the direction a collection is travelling, and that is the whole ambition.
Self-studyWhat to do with the untouched quarter4 min▶
The quarterly pass has exactly one job: find everything in a project folder that has not been opened in three months, and apply one rule. For each of them there are only three honest answers.
- The project is finished. Nobody declares a project over; it just stops having next actions. Its notes belong in the archive, and moving them there is what makes the remaining project list mean something.
- The project is stalled. This is the valuable one. Three months of not opening something is a fact about the project, not about your filing, and it is a fact you would otherwise never be told. Either it gets a next action this week or it goes to the archive and stops pretending.
- It was never a project. No finish line, no goal, just an ongoing part of your work or life. That is an area, or it is reference material and belongs in resources. Miscategorised areas sitting in a project list are the most common reason a project list feels permanently overwhelming.
The thing that makes all of this possible is that archiving is not deleting. The archive keeps everything, searchably, forever, and asks nothing of you. Almost nobody can delete their own notes, and almost everybody can move them somewhere quiet. A collection with a real archive is one where discarding costs nothing emotionally, and that is the only reason the discard step in the weekly pass survives contact with a human being.
Three Fridays into the habit, the Daybreak person's pass got to move three and opened the autumn roast project note. It still linked to a supplier note that had been superseded six weeks earlier, when the second supplier came in with different lead times. Nothing was broken, nothing had errored, and the stale link looked exactly like a good one. The fix was forty seconds: change the link, delete one line. That Monday the launch brief went out with the current lead times, and it was the only reason it did. Nobody ever found out how close that was, which is what a working review looks like from the outside.
Run one real review, now
★ 22 min · everyone opens their notes and their calendarNot a plan for a review, an actual one, on your real collection, with the clock running. The ten notes from session 1 are the material for move two. The last stage is the calendar, and it is the one people skip, which is why it is a stage.
Empty the inbox, five minutes. Everything you captured this week, wherever it landed, gets filed into one of the four categories. Do not improve anything while you file. If a note has no obvious home, it goes in resources and you move on; hesitating over one item is how five minutes becomes twenty.
Recall three, then check, four minutes. Take three of the ten notes. Read the title only. Say aloud or write down what you think is in it, in one sentence, before you open anything. Then open it and mark which of the three outcomes you got: accurate, gist only, or no idea. Keep the marks.
Repoint the project notes, four minutes. Open the two notes you open most often, the ones that are the front door to your live work. Read every link in them and ask whether it still points at what that project actually depends on today. Fix the ones that do not. This is where stale links get caught, and they never announce themselves.
Mark one for discard, two minutes. One thing. Archive it if you can imagine ever wanting it, delete it if you cannot. Do it now, in the two minutes, not on a list for later. If nothing comes to mind, use whichever of the three notes you just checked scored "no idea".
Put it in the calendar, ninety seconds. A recurring fifteen minutes, weekly, at a time you are genuinely at your desk and not in transit or about to leave. Friday afternoon works for many people because nothing new starts after it. Name the entry the four moves, not "review", so that the future you knows what to do without deciding.
Set an actual timer. Not a glance at the clock. The budgets are the design, and the only way to find out whether yours are realistic is to hear them run out.
Say the recall out loud if you are alone. Thinking "yes I know what that is" is recognition wearing a costume. Producing a sentence is the thing that has the evidence behind it.
Do not fix anything you did not come to fix. Move three fixes links in two notes. It does not fix titles, tidy folders or rewrite notes, however tempting they look while you are in there.
Write the gaps down somewhere. Which of the three notes were accurate, gist-only or blank. Over a few weeks this tells you whether your titles are working far better than any one-off audit will.
Pick the calendar slot last and pick it honestly. The best time is not the time you wish you were disciplined at. It is the time you are already sitting still with nothing starting afterward.
Bring the two timings to session 6. How long the pass actually took, both times. The gap between fifteen minutes and your real number is the thing session 6 works on.
If you take one thing from tonight. A review that needs an hour will not happen, and the version of it you imagine yourself doing is always the hour-long one. Fifteen minutes that happens beats an hour that does not, by an enormous margin, and the margin is the entire difference between a system and a plan for one.
Before session 6
25 min- Run the weekly pass twice before session 6, on the calendar slot you just made, and write down how many minutes each one actually took. Not how long it should have taken. The two numbers together tell you whether your budgets are real.
- On the second pass, recall-check three notes you did not check the first time, and write down how many of the three you got. Accurate, gist only, or no idea. Three out of three is fine and so is zero; the number is the point, not the score.
- Find everything in a project folder untouched for three months and apply the rule to each one: finished and goes to the archive, stalled and gets a next action this week, or never a project and belongs in areas or resources.
- Bring the number of notes you have archived. Session 6 scores the system you actually kept rather than the one you designed, and this is the number that separates the two.
Three questions
Clear all three and session 5 gets stamped in your passport.
1 · Why does the review ask you to say what is in a note before opening it, rather than just rereading it?
The mechanism is the one session 1 measured: retrieval beats restudy once any real time has passed, with a meta-analytic average of g = 0.50 across 159 effect sizes. The metacognitive half matters just as much here. The students who restudied most were the most confident and recalled the least, so a review designed around what feels productive optimises for confidence rather than recall.
2 · A colleague says "spacing doubles your recall, it is in the big meta-analysis". What is the accurate reply?
Both halves need saying. The effect is real and the authors call it quite robust, so there is no need to hedge on whether spacing works. But that specific multiplier was searched for in the paper's raw text and is absent, and the paper reports raw accuracy differences and a 271-comparison split rather than one pooled number. Anyone quoting a single figure for it is quoting something else.
3 · Why is "mark one thing for discard" one of the four moves in a fifteen-minute weekly pass?
A fast capture rule is only defensible if something downstream makes the decision it skipped, and nothing else in the loop can send a note out. One item a week sounds trivial and is not: fifty-two decisions a year, each made with the note open in front of you, changes the direction the collection travels. The archive is the enabling part, because moving something somewhere quiet is a thing people can actually do and deleting it usually is not.
What this session teaches, and where it came from
Every fact on this page, and its verification tier, is recorded in the course's source map.
Session 5 cheat sheet · pin this
The loop is complete now: capture, organize, retrieve, review, all of it running on your own collection rather than an example. The only question left is whether it survives a bad week, and every system in this field dies in exactly that week rather than in a dramatic one. Session 6 cuts the whole thing down to the smallest version that still works when you have no time, no energy and three things on fire, then scores it on the collection you actually have.